![]() Do try the B-flat quartet: its quality will surprise you. As suggested with respect to the major works, the Tempera Quartet handles all of this music expertly, and BIS's sonics are the most consistently excellent in the business. A tiny fragment of the original ending of Voces Intimae only a few seconds long fulfills BIS's intention to record every scrap of music that Sibelius wrote but the disc concludes sonorously with the Andante festivo, taken at a good clip and sounding less solemn than usual in this reduced format. Sibelius, Jean String Quartet Voces intimae, Op.56 Smetana, Bedich. 56 (1908-1909) Performed by the Casal Quartet (live recording). It ends somewhat ambiguously (nothing new when it comes to Sibelius), here suggestive of more to follow-but what that might have been we will probably never know. Subscribed 1K 54K views 3 years ago Jean Sibelius - String Quartet in D Minor 'Voces Intimae' ('Intimate Voices'), Op. To generate automatically updated lists see 'Browse by Work genre' in the sidebar. ![]() ![]() JEAN SIBELIUS: Symphonies No 1 & 2 MHS Neeme Jarvi Gothenburg 2x CD. Warning Please note that this list is manually updated, and may not contain IMSLP's complete collection. LANSDOWNE STRING QUARTET, THE - sibelius string quartet in d minor op.56 voices intimae - AA-9264 Size, 12inch Disc, 1-disc Mono/Stereo, stereo Genre. The opening piece on the disc, a 12-minute Adagio, features a few attractive but not really memorable ideas. Apart from the symphonies try his Voces Intimae String Quartet op.56. Jaakko Kuusisto (violin), Satu Vnsk (violin), Marko Ylnen (cello), Folke Grsbeck (piano), Taneli Turunen (cello), Peter Lnnqvist (piano), Harri Viitanen (harmonium) Tempera Quartet. Sibelius : String Quartet in D minor Op.56 Voces Intimae : I Andante. However, on occasion-in fortes-the tone of the violins turns a bit crude as the players dig into the notes with excessive vehemence. In the latter piece, the clean ensemble and vigorous rhythmic profiling prevent the music from sounding dour, particularly in the central slow movement (from which the quartet's nickname derives). The Tempera Quartet performs both this work and the later Voces Intimae with notable liveliness and evident enthusiasm. It also shows something of that instinctive feeling for movement that the mature composer developed to such a phenomenal degree. It contains some striking anticipations of the composer we know and love, particularly in the harmonies of its slow movement and in its imaginative use of string texture (pizzicato especially). 4 (1890) is quite lovely and well worth hearing.
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